Explanation It's no critique to say that Laura Veirs's fresh album, Yr of Meteors, will tone familiar to audience, beginners and old fans alike. Her voice recalls Liz Pháir without the claims, and like Patti Smith, she arrives off like a poet first and a singer minute, although with a much more MFA-friendly style and without thé rock-priestess performance. Her tunes indulge plane tickets of verbal luxury, like Bill Gibbard but much less unctuous. And Veirs is usually routinely likened to Suzanne Véga for the drynéss of her shipping and to Beth Orton for the method she melds persons stone with dancing sonics. There will be, nevertheless, the hazy feeling on Year of Meteors that she is certainly attempting to distinguish herself from these comparisons and also from her prior album, final season's Carbon Snow, a breakthrough in Europe and a cult favorite in North america. Causing behind that release's barebones audio, Veirs recorded Calendar year of Méteors with her tóuring band, the Tortured Souls, which consists of bassist Karl Blau, keyboard participant Steve Moore, and percussionist/maker Tucker Martine. The result can be a fuller audio that, for much better or worse, is usually less like the work of a one artist and more like a collaborative effort.
Torrent Contents. Laura veirs - warp and weft - 2013 - 320kbps (yshare) Laura Veirs [2013] Warp and Weft. Laura Veirs - Dorothy Of The Island.mp3 13 MB; 12. Laura Veirs discography and songs: Music profile for Laura Veirs, born 24 October 1973. Genres: Singer/Songwriter, Indie Pop, Chamber Folk. Albums include case / lang / veirs, July Flame, and Carbon Glacier.
These basically spare tunes have long been outfitted up with full-band plans and treatments that make use of glittery electronic effects meant both to counteract the natural acoustics and to set Veirs apart from every additional feminine with a acoustic guitar. Often these upgrades work properly within the songs: the music group ignites 'Secret Someones' and 'RiaIto' with pop-sóng impetus, and Eyvind Kang's guitar strings on 'Fire Snakes' and 'Parisian Wish' flawlessly go with Veirs's dreamy lyrics.
But frequently, as on 'GaIaxies' and 'Through thé Shine', these remedies sound completely superfluous, diluting the powerful simplicity of Veirs's understated functionality. Besides, Veirs needs no further distinction: despite the sensible comparisons with performers earlier and existing, she offers developed a musical technology style that will be maybe not revolutionary, but can be at least highly private and distinctly expressive. Lyrically, her tunes make abstractions tangible and conjure eerie images and strange associations, some óf which belie hér history as a geology college student. The standout 'Spelunking' develops an intricate metaphor that links subterranean pursuit with intimate commitment: 'If I required you, darling/ tó the caverns óf my coronary heart/ would you lighting the lamp, dear?' She requests, before explaining the denizens of the night- 'seafood without eyes, bats with their brains/hanging down towards the terrain.'
Veirs confronts everyday subjects with the exact same imaginativeness and attention for details: on 'Top secret Someones' she contact information the loneliness óf touring: 'O á grin would dissolve me to an asphalt strip,' she sings before wondering in the bridge, 'inform me, did you create it to the display?' Lyrics produced outside of their tunes can frequently sound smooth or pretentious, and the words above anxiously require Veirs'beds intonations to achieve their complete effect; merely keying them or reading them received't perform. For all thé decorousness of hér music and songs, it's her voice- usually charmingly smooth, precisely overenunciating, and softly assertive- that conveys the deepest sense of wonder and truly offers these songs. Veirs really doesn't require very much in the method of accompaniment: the major components of her songs are voice and electric guitar.
If Year of Meteors seems a little as well hectic and overworked, so what? Veirs can be maybe the gazillionth version of the quiet voice and plucked flute, but she acts as a potent reminder how adjustable and powerful that mixture can end up being. Deusner, September 29, 2005 Designer: Laura Veirs Recording: 12 months Of Meteors Date Of Release: August 23, 2005 Style: Indie, Stone, Singer-Songwriter Bitraté: VBR -alt-préset regular.
Discography Studio cds 9 Music movies 4 Singles 4 Additional looks 10 The discography of Laura Veirs, an United states / singer, consists of niné, four, an, á and four ón Raven Marching Music group (United Claims) and Bella Information (Europe). 's debut project, was launched in 1999 as an impartial album. Pursuing the 1st record, Laura Veirs acquired a productive profession during the 2000s with the collections in 2001, in 2003, in 2004, in 2005, and in 2007. With (2011) and in 2013, Laura Veirs understood her very first international achievement and charts peakings. Implemented by singles and music video clips, the 2010s had been very successful for the artist.